Cary Grant by Scott Eyman

Film historian and acclaimed New York Times bestselling biographer Scott Eyman has written the definitive biography of Hollywood legend Cary Grant, considered one of the most accomplished—and beloved—actors of his generation, who remains as popular as ever today.Born Archibald Leach in 1904, he got here to America as a teenaged acrobat to locate repute and fortune, however he became always haunted through his past. His father changed into a feckless alcoholic, and his mother changed into committed to an asylum when Archie became eleven years old. He believed her to be dead until he turned into informed she was alive whilst he turned into thirty-one years old. Because of this enjoy Grant would have problem forming close attachments in the course of his life. He married five instances and had severa affairs. Despite a first rate diploma of success, Grant remained deeply conflicted approximately his past, his present, his basic identity, and even the general public that worshipped him in movies inclusive of Gunga Din, Notorious, and North through Northwest. Drawing on Grant’s very own papers, giant archival research, and interviews with family and friends, this is the definitive portrait of a movie immortal.


Film historian Scott Eyman takes a fresh have a look at a film legend within the sparkling biography Cary Grant: A Brilliant Disguise. Drawing upon significant interviews and archival materials, including the star’s non-public papers, Eyman indicates that Grant (1904–1986), king of the romantic comedy and the very definition of dashing, turned into a person of contrasts for all time troubled by means of his working-elegance past.

Born right into a poor household in Bristol, England, Grant, whose real call became Archibald Leach, did no longer have a glad childhood. His father became an alcoholic. His depressed mother spent a long time in an institution, even as Grant become instructed that she became dead. At 14, he engineered his personal expulsion from school a good way to chase a career in display business. From stilt walking, acrobatics and pantomime in English tune halls to American vaudeville revues and the Broadway stage, he didn’t stop until he’d landed in Hollywood.

In 1932, Grant made his first huge movie, Blonde Venus, with Marlene Dietrich. By 1939, he become a full-blown star. Absent-minded scientist (Bringing Up Baby), wisecracking socialite (The Philadelphia Story), ice-cold authorities agent (Notorious)—there was no invoice he didn’t fit. During the overdue 1940s, Eyman writes, “Grant had first crack at nearly every script that didn’t involve a cattle drive or space aliens.”

But Grant’s past seems to have left him permanently scarred. Although he maintained a suave public character and become widely loved with the aid of pals and fellow actors, the fact about him changed into, of course, extra complicated. As the writer reveals, Grant had a reputation for stinginess and self-absorption and will be a median drunk. On set, he become often annoying and tense.

Eyman’s consideration of the inner conflicts that drove Grant consequences in a splendidly nuanced study of his life. Along with the star’s many marriages and sour divorces, Eyman explores the rumors surrounding his sexuality and his LSD use, recounting all of it in clean, unaffected prose. He mixes Grant’s non-public tale with several a long time’ really worth of Hollywood history, and his film analyses are eye-opening. Grant was “a man for all movie seasons.” They don’t make ’em like that anymore.


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